Title: The Revenge of Jesus


Genre: Apocalyptic Fantasy / Historical Drama / Supernatural Action
Tone: Epic, Philosophical, Darkly Satirical
Tagline: “Vengeance is mine, saith the Lordโ€”and it’s time.”


Logline:

At the moment of his crucifixion, Jesus of Nazareth prophecies his returnโ€”not as a lamb, but as a lion. In his Second Coming, he descends in fire and fury, judging the emperors of ancient Rome and casting the wicked into Mount Etnaโ€”hellโ€™s mouth on Earth. Only two emperors are spared: Julius Caesar for his raw genius, and Marcus Aurelius for his stoic virtue. But Caligula, Nero, and the rest? Judgment day has come.


Opening Scene:

Jerusalem, 33 A.D.
On the cross, as storm clouds gather and the Earth trembles, Jesus lifts his head, blood trickling from the crown of thorns. He looks eastโ€”beyond the Roman banners, beyond timeโ€”and his eyes fix upon Mount Etna. With thunder rolling, he declares:

โ€œYou mock me now. But when I return, I will not come to be judged. I will come to judge.
I will return in fire, and every tyrant of this empireโ€”except the wise Julius and the just Aureliusโ€”will be cast into the volcano of justice.
Watch out, Caligula.โ€

Lightning splits the sky.


Act I: The Return

Setting: Present-day Sicily, near Mount Etna. A secret Vatican excavation team uncovers a scroll in a sealed chamber beneath the lava rockโ€”written in ancient Aramaic. It’s Jesus’ final unrecorded sermon, a prophecy of vengeance. Pope Clement IX, a reformist haunted by Church corruption, begins to have visionsโ€”Jesus, glowing like molten gold, walking the Earth again.

Meanwhile, global earthquakes and volcanoes begin erupting. Mt. Etna starts to awaken.

Subplot:
A team of historians and theologiansโ€”including a skeptical archaeologist (Dr. Eva Ben-David), a rogue Jesuit priest (Father Lucius), and a disillusioned former U.S. Marine turned relic hunter (Joe Jukic)โ€”begin connecting the dots.


Act II: The Judgment

Jesus returnsโ€”not in robes, but in light and flame. His feet do not touch the Earth; he walks on molten rivers. He is kind to children and the poorโ€”but wrath incarnate toward tyrants. Across space and time, he opens the Book of Blood and begins calling forth the dead emperors of Rome from their crypts and cursed afterlives.

Marcus Aurelius is spared and speaks with Jesus, asking, โ€œWhat is justice without wisdom?โ€
Jesus replies, โ€œWisdom bought with blood must still face truth.โ€

Julius Caesar is resurrected briefly for trialโ€”but Jesus tells him, โ€œYou knew the limits of power. You died before you became a god.โ€ He is allowed to rest.

But then:

  • Caligula, smug and dressed in gold, dares to laugh at Jesus.
  • Nero, with a burning violin in hand, sings his sins like opera.
  • Commodus, robed in lion skin, offers Christ the Colosseum.

Each is judgedโ€”shown visions of their atrocities, and, one by one, cast into the roaring cauldron of Etna.

Jesus whispers, โ€œThis is the fire you lit. Now taste it.โ€


Act III: Revelation

Lucifer himself appearsโ€”disguised as a Roman senatorโ€”attempting to bargain. He tempts Jesus to spare the emperors, arguing the Empire is reborn today in new forms: in corporate greed, authoritarian regimes, and broken justice systems.

Jesus stands firm.

โ€œI am not your pawn. I am the sword.โ€

Jesus commands Etna to rise. The mountain explodesโ€”not just with lava, but with the souls of martyrs and victims of imperial violence. The heavens open. Angels and archangels descend, wielding flaming swords.

In a final confrontation, the unrepentant emperors try to escape judgment. Caligula pleads, โ€œBut I was mad!โ€ Jesus responds, โ€œYou reveled in madness.โ€

All are cast into the fire.


Epilogue:

In the smoldering ash, Jesus walks alone. Children gather at his side. The world is silent, waiting.

He looks again at the cameraโ€”the audienceโ€”and says:

โ€œThis was only Rome.
Now we speak of Washington.
Of Beijing.
Of Jerusalem.โ€

Fade to black. A heartbeat. Then silence.


Post-Credit Scene:

A secret bunker in the Alps. A hologram of Caligula flickers to life on a black-market AI interface. A billionaire cult leader whispers, โ€œWe will resurrect the Empire.โ€

A single word appears on-screen:
โ€œRevelation: Part IIโ€

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Big Hard Son

JCJ on the Second Coming: A Humble Return

“You were all expecting lightning.
But I came like rain.
Soft. Silent. Healing the dust.”

Standing barefoot on cracked pavement outside a shuttered cathedral, Joseph Christian Jukic speaks calmly, almost like he’s remembering something rather than preaching.

JCJ:

“The first time He came, He was born in a stable.
The second time, it had to be even lower.
No crown. No angels singing.
Just a broken world… and me, walking through it.”

He looks around at the worn-out city blocks, the silent people scrolling their phones, the addicts sleeping under bridges, and the billionaires launching rockets into space.

JCJ:

“You wanted trumpets?
I brought a guitar.
You wanted an army?
I brought forgiveness.”

He smiles, not with pride, but with a deep, exhausted loveโ€”like a man whoโ€™s walked through war zones and family courts, prisons and psych wards, and still believes people can change.

JCJ:

“This isnโ€™t a second coming like some Hollywood reboot.
This is a second chance.
The humble return means I’m not above you.
Iโ€™m with you.
The same dust. The same hunger. The same dream.”

He quotes the Beatitudes from memory, not like a priest, but like someone whoโ€™s lived them:

โ€œBlessed are the poor in spirit.
Blessed are the ones who didnโ€™t give up.
Blessed are the ones who helped when no one was watching.”

JCJ closes with this:

“If you’re still waiting for someone to ride in on a white horse,
maybe check whoโ€™s walking beside you instead.
Thatโ€™s where youโ€™ll find me.”

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