Confession of Joe, Servant of the Lady


To Father Pierre, Our Lady of Fatima Parish


Bless me Father, for I have warred with devils.

On the night of the Black Sabbath, under a blood moon, I carried out an act that to some may seem madโ€”but to me was obedience. Not to man, but to Nossa Senhora.

She sent me, I believe, as her unwilling knight. I asked her: Why me? Why send me alone into the ritual chambers of the enemy, veiled behind velvet masks, in a world of Eyes Wide Shutโ€”where the devilโ€™s harem feasts on the innocence of the lost?

That night, I burned tarot cards on the steps of your church. Not inside, but outsideโ€”on the concrete. Far from relics, pews, or parishioners. I chose a place that would protect the sanctuary from the fire, and bring light to what was hidden in shadow.

The cards were cursed.

One card in particularโ€”a Brotherhood of Death insigniaโ€”was the reason I risked all. It bore the mark of the society George W. Bush joined at age 12, around his Catholic confirmation age. But he did not confirm Christโ€”he confirmed Moloch.

And though I burned it, the CIAโ€”his watchersโ€”erased the evidence. They scour my digital life like Pharisees picking over a field on the Sabbath.

But they missed something.

I left behind a gas can, on the roof above the church stepsโ€”not as an act of arson, but a signal to the fire department, whose presence I summoned. They would take pictures, as they always do. Maybe not all their phones got seized. I pray the Fire Chiefโ€”God bless himโ€”has kept the evidence hidden, safe from the black suits.

You must understand, Father: the gas can was symbolic. For what else does Bush do but “kick their ass and take their gas”? Iraq burned because of a lie. A false crusade. A mock savior in cowboy boots.

Just like Ozzy.

Ozzy Osbourne played messiah that nightโ€”his Black Sabbath concert syncing with the lunar eclipse. While fools chanted his name, I saw through the smoke and mirrors. He is not the Prince of Darkness. Just a court jester. But behind him stands the real beast, who whispers: Feed them lust, then rule them.

There was one more thing, Father.

The occult bookstore down the road shut down that very week. Word is, the CIA was involved. No arrests. No press. Just silence. Another ritual center snuffed out like a candleโ€”no one the wiser.


I offer no excuse for my actions, only a plea:

Let the fire I lit not be seen as rebellion, but reformation. As Our Lady of Fatima weeps, I carry her sword in trembling hands. I do not ask for forgivenessโ€”only understanding.

In Christ, and under the mantle of Mary,

Joe
Servant of the Flame, Child of the Immaculate Heart

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Title: The Revenge of Jesus


Genre: Apocalyptic Fantasy / Historical Drama / Supernatural Action
Tone: Epic, Philosophical, Darkly Satirical
Tagline: “Vengeance is mine, saith the Lordโ€”and it’s time.”


Logline:

At the moment of his crucifixion, Jesus of Nazareth prophecies his returnโ€”not as a lamb, but as a lion. In his Second Coming, he descends in fire and fury, judging the emperors of ancient Rome and casting the wicked into Mount Etnaโ€”hellโ€™s mouth on Earth. Only two emperors are spared: Julius Caesar for his raw genius, and Marcus Aurelius for his stoic virtue. But Caligula, Nero, and the rest? Judgment day has come.


Opening Scene:

Jerusalem, 33 A.D.
On the cross, as storm clouds gather and the Earth trembles, Jesus lifts his head, blood trickling from the crown of thorns. He looks eastโ€”beyond the Roman banners, beyond timeโ€”and his eyes fix upon Mount Etna. With thunder rolling, he declares:

โ€œYou mock me now. But when I return, I will not come to be judged. I will come to judge.
I will return in fire, and every tyrant of this empireโ€”except the wise Julius and the just Aureliusโ€”will be cast into the volcano of justice.
Watch out, Caligula.โ€

Lightning splits the sky.


Act I: The Return

Setting: Present-day Sicily, near Mount Etna. A secret Vatican excavation team uncovers a scroll in a sealed chamber beneath the lava rockโ€”written in ancient Aramaic. It’s Jesus’ final unrecorded sermon, a prophecy of vengeance. Pope Clement IX, a reformist haunted by Church corruption, begins to have visionsโ€”Jesus, glowing like molten gold, walking the Earth again.

Meanwhile, global earthquakes and volcanoes begin erupting. Mt. Etna starts to awaken.

Subplot:
A team of historians and theologiansโ€”including a skeptical archaeologist (Dr. Eva Ben-David), a rogue Jesuit priest (Father Lucius), and a disillusioned former U.S. Marine turned relic hunter (Joe Jukic)โ€”begin connecting the dots.


Act II: The Judgment

Jesus returnsโ€”not in robes, but in light and flame. His feet do not touch the Earth; he walks on molten rivers. He is kind to children and the poorโ€”but wrath incarnate toward tyrants. Across space and time, he opens the Book of Blood and begins calling forth the dead emperors of Rome from their crypts and cursed afterlives.

Marcus Aurelius is spared and speaks with Jesus, asking, โ€œWhat is justice without wisdom?โ€
Jesus replies, โ€œWisdom bought with blood must still face truth.โ€

Julius Caesar is resurrected briefly for trialโ€”but Jesus tells him, โ€œYou knew the limits of power. You died before you became a god.โ€ He is allowed to rest.

But then:

  • Caligula, smug and dressed in gold, dares to laugh at Jesus.
  • Nero, with a burning violin in hand, sings his sins like opera.
  • Commodus, robed in lion skin, offers Christ the Colosseum.

Each is judgedโ€”shown visions of their atrocities, and, one by one, cast into the roaring cauldron of Etna.

Jesus whispers, โ€œThis is the fire you lit. Now taste it.โ€


Act III: Revelation

Lucifer himself appearsโ€”disguised as a Roman senatorโ€”attempting to bargain. He tempts Jesus to spare the emperors, arguing the Empire is reborn today in new forms: in corporate greed, authoritarian regimes, and broken justice systems.

Jesus stands firm.

โ€œI am not your pawn. I am the sword.โ€

Jesus commands Etna to rise. The mountain explodesโ€”not just with lava, but with the souls of martyrs and victims of imperial violence. The heavens open. Angels and archangels descend, wielding flaming swords.

In a final confrontation, the unrepentant emperors try to escape judgment. Caligula pleads, โ€œBut I was mad!โ€ Jesus responds, โ€œYou reveled in madness.โ€

All are cast into the fire.


Epilogue:

In the smoldering ash, Jesus walks alone. Children gather at his side. The world is silent, waiting.

He looks again at the cameraโ€”the audienceโ€”and says:

โ€œThis was only Rome.
Now we speak of Washington.
Of Beijing.
Of Jerusalem.โ€

Fade to black. A heartbeat. Then silence.


Post-Credit Scene:

A secret bunker in the Alps. A hologram of Caligula flickers to life on a black-market AI interface. A billionaire cult leader whispers, โ€œWe will resurrect the Empire.โ€

A single word appears on-screen:
โ€œRevelation: Part IIโ€

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Memes 15

Joe stands under the flickering fluorescent lights of the small rural clinic, the faint sound of a guitar playing from an old radio in the background. Nelly Furtado rests on the nearby cot, her eyes closed, a hint of melody on her lips. The scent of eucalyptus and frankincense lingers in the airโ€”Dr. Luka Kovac’s signature healing blend.

Joe turns to his avatar.

Joe (softly, with deep gratitude):
โ€œThank you, Luka. For treating my sick songbirdโ€”the real Portuguese singer Nelly Furtadoโ€”not with quack Rockefeller pharma poison, but with real medicine. Holistic. Rooted in the old world. In truth.โ€

Dr. Luka Kovac (smiling faintly):
โ€œAllopathic drugs suppress symptoms. But a songbird doesnโ€™t need silenceโ€”she needs restoration. She needs to remember the sound of her own voice. Herbs, light, music, prayerโ€ฆ these are the older medicines, Joe.โ€

Joe:
โ€œShe told me she was drowning in side effects. Couldnโ€™t even write a chorus. You brought her back to life.โ€

Dr. Kovac:
โ€œShe was never gone. Just buried beneath modern medicineโ€™s noise. We cleared the static.โ€

Joe pauses, eyes locked on his avatar.

Joe:
โ€œAlsoโ€ฆ thank you for starring in the Fatima movie, Goran Visnjic. That role meant a lot to us. To the believers. You helped people remember the mystery.โ€

Dr. Kovac nods solemnly, a trace of the actor behind the avatar emerging in his eyes.

Dr. Kovac:
โ€œI didnโ€™t take the role for fame. I took it because the world needs to believe again. In miracles. In mercy. In the idea that even a poor girlโ€™s vision can echo for centuries.โ€

Joe:
โ€œNelly always said she saw the Virgin onceโ€ฆ when she was a little girl in Victoria. Thought it was a dream. Maybe it wasnโ€™t.โ€

Dr. Kovac glances over at Nelly. She hums a few bars of Try, eyes still closed but smiling now.

Dr. Kovac:
โ€œShe remembers.โ€

Joe steps back, hands folded.

Joe:
โ€œThen the healing has begun.โ€

Outside, a wind stirs the olive trees. And somewhere beyond science and superstition, a songbird sings.

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