Time Cop Theory of History

Scene: The Papal Library, night.
Candlelight flickers across gilded shelves of forgotten chronicles. Pope Pius XIII sits beneath a great celestial map, his eyes half in this world, half in eternity. Father Basashar listens intently, notebook trembling in his hands.


Pope Pius XIII:
You see, Father Basashar, history is not a straight line โ€” it is a loop. God allows the same spirit of empire to rise and fall, like the tide that tests the shore. Every thousand years, man tries again to become God… and every time, time itself stops him. That is my time cop theory of history.

Father Basashar:
A time cop, Your Holiness?

Pope Pius XIII:
Yes. Divine providence โ€” the ultimate enforcer of the cosmic law. Every empire that sought to rule the world has faced the same verdict: โ€œYou have gone too far.โ€

Let me recount the offenders.

(He rises, pacing slowly, his voice echoing against marble walls.)

Pope Pius XIII:
First came Egypt, the mother of empire. She mastered the Nile and wrote the book of kingship. But her mistake was pride in eternity โ€” building tombs instead of futures. The sands swallowed her.

Then Babylon, under Nebuchadnezzar. They built a tower to heaven, thinking they could breach the divine firewall. The time cop struck them down with confusion of tongues.

Next, Persia. Cyrus almost unified the known world under tolerance and law. A near-perfect empire โ€” until hubris drove Xerxes into the Greek sea, where freedom struck back.

Then Alexander โ€” the Greek comet. He dreamed of a world under one tongue, one coin, one law. He succeededโ€ฆ almost. But he died young, poisoned by his own ambition, his empire dividing like Babel all over again.

Then came Rome, ah, the iron hand of civilization. The greatest attempt yet. They built roads, law, and order. But Rome crucified God Himself โ€” and time intervened again. Out of their ashes, the Church rose as the anti-empire.

(He turns to the crucifix, crosses himself, then continues.)

Pope Pius XIII:
After Rome, came Islam, under the Caliphs. They nearly united the world through faith and sword. But they fractured โ€” Sunnis and Shias โ€” a civil war of spirit. The time cop smiled.

Then the Mongols โ€” Genghis Khan, the scourge of the world. He conquered faster than any man alive. But his sons could not conquer themselves. They drank, divided, and time erased their maps.

Next, the British Empire โ€” the merchant crusaders. They conquered with ships and silver, not swords. โ€œThe sun never set,โ€ they said. But the time cop brought two world wars โ€” and the sun finally set.

And now, we live in the era of the American Empire โ€” digital, invisible, broadcast by satellites and credit cards. Their mistake? They think theyโ€™ve escaped time. They believe the clock stopped with them. But the same law applies: the greater the reach, the greater the fall.

(He leans forward, voice low, conspiratorial.)

Pope Pius XIII:
Every empire leaves behind the seed of its own destruction. That seed is always the same: forgetting God.

Father Basashar:
Soโ€ฆ the time cop isnโ€™t a man. Itโ€™s judgment itself.

Pope Pius XIII:
Exactly, Father. Judgment disguised as coincidence, fate, or failure. Empires think theyโ€™re building eternity โ€” but eternity already has an Owner. And He enforces His copyright.

(A silence falls. The Pope stares out the window at the stars.)

Pope Pius XIII:
Mark my words, Father Basashar. The next empire will be born of code โ€” artificial minds, digital kings. But when man tries to write Genesis 2.0… the time cop will come again.

Father Basashar:
Holy Fatherโ€ฆ if divine judgment is the โ€œtime cop,โ€ then perhaps the twentieth century gave us its clearest case. Hitler โ€” he came agonizingly close to conquering the world. Had he succeeded in building an atomic bomb missile โ€” one V-2 fitted with that dreadful weapon โ€” the Earth would have burned. But his own prejudice, his madness, was his undoing.

He drove out the Jewish scientists who could have built it for him. The men of the atom fled to America โ€” Oppenheimer, Fermi, Szilard. If not for his hatred, the Reich would have held the fire of the sun.


Pope Pius XIII:
(Nods gravely.)
Yes, Father. The ultimate irony of evil โ€” it defeats itself. Lucifer always imagines he can perfect rebellion, but his pride makes him blind. Hitler worshiped race, not reason. He wanted to be the hammer of God, but became His proof instead. The time cop needed no miracle โ€” just manโ€™s own hate to destroy him.

(He pauses, looking at a globe on the table, gently spinning it.)

The Father of Lies whispered to Hitler: โ€œYou are chosen. You will build the thousand-year kingdom.โ€ But the kingdom lasted twelve years. A parody of eternity.


Father Basashar:
And yet, Holy Father, the Americans โ€” the victors โ€” used that same bomb. Twice. On innocents. Did the time cop allow that?


Pope Pius XIII:
Yes. Because history, Father, is not about winners and losers โ€” itโ€™s about lessons unlearned. The bomb was the serpentโ€™s tongue reborn, speaking from the split atom. Man had eaten from the tree of knowledge again, but without wisdom.

The world ended once already โ€” in Hiroshima. Everything since has been after the end.

(He turns back to Basashar, his face lit by the candleโ€™s trembling flame.)

And that is why I say: every empire dies the moment it thinks itโ€™s eternal. Hitlerโ€™s sin was race. Americaโ€™s sin is pride. Both are the same root โ€” the will to be God.


Father Basashar:
Then what of the Church, Your Holiness? Has she not claimed eternity too?


Pope Pius XIII:
(A small smile crosses his face โ€” sad, knowing.)
Ah, Father Basasharโ€ฆ that is the greatest paradox of all. The Church is eternal โ€” but only because it dies every day. We are the one empire that rules by surrender, not conquest. The blood of martyrs, not armies. When we forget that, the time cop will come for us, too.

(He snuffs the candle out, leaving only the starlight through stained glass.)

Remember this, Father:
Every empire believes it can stop time. But in the endโ€ฆ it is always time that stops them.

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Nobody’s Hero

INT. EAST VAN CHURCH โ€“ NIGHT

The rain hammers the stained glass. Candles flicker. The faces of the congregation are hard and haunted. POPE PIUS XIII (LENNY BELARDO) stands at the altar โ€” robes torn, eyes burning with righteous exhaustion.

LENNY:
You call yourselves holy because your hatred is aimed at monsters. But I tell you โ€” the mob is a monster too. You are just as evil as the pedophiles you want to kill.

(A murmur of rage moves through the pews. Someone spits. Another man clenches his fists.)

LENNY (CONTโ€™D):
My father once said, โ€œPut them on an island.โ€
And your orange messiah โ€” he said reopen Alcatraz.

(Lennyโ€™s gaze pierces the crowd, calm but defiant.)

LENNY:
But I say โ€” call the authorities. Call the firefighters. Call the police.
Because the moment you take justice into your own hands, you lose your soul.

He looks out the door โ€” flashing lights from squad cars dance on the church walls. Sirens echo. The mob disperses, some ashamed, some furious.

LENNY (softly):
I woke up the neighborhood. I told them to do the right thing.
And for thatโ€ฆ they called me a traitor.
For thatโ€ฆ they punished me.

Lenny kneels before the altar, whispering a prayer that sounds more like a confession.

LENNY (whispers):
Forgive me, Father, for saving them from themselves.

INT. EAST VAN CHURCH โ€” LATE NIGHT

The church smells of wet wool and wax. Rain drums the stained glass like a second heartbeat. LENNY sits on the altar steps, robe dirty, fingers locked as if to hold himself together. The door opens like a verdict โ€” ROBERT DE NIRO fills the frame, all weathered bone and restless energy, a face thatโ€™s learned the language of rage.

ROBERT DE NIRO
(voice low, gravel and regret)
You saved them and they spit on you. Thatโ€™s what this town does. Saves the shape of something and punches the soul out of the rest.

LENNY looks up. Exhaustion and a fragile steadiness in his eyes.

LENNY
I kept them from becoming what they wanted to be. I kept them from becoming killers.

DE NIRO eases into a pew, the room swallowing the sound. He folds his hands like a man composing himself before a confession.

DE NIRO
You ever watch Taxi Driver? Guy goes out, thinks heโ€™s cleaning the streets. He shoots the pimps, feels godlike for a minuteโ€”then what? You become a headline and a hollow man. Thatโ€™s the trick. Violence dresses itself up as courage.

LENNY
Vigilantism calls itself justice. Itโ€™s still sin with a better costume.

DE NIROโ€™s jaw tightens. Heโ€™s a man whoโ€™s carried both temptation and the ruin it leaves behind.

DE NIRO
So what do you want me to do? Stand here and clap while paperwork crawls through the city? The people want to see something done. They want a show, Padre.

LENNY rises slowly, the candlelight outlining the bones of his face.

LENNY
We gave them a different kind of action. We woke them up. We made them call the police, the firefighters. Real institutions, real accountability. Itโ€™s slow. Itโ€™s ugly. But it doesnโ€™t make victims into icons of vengeance.

DE NIRO leans forward, staring as if he could puncture the air between them.

DE NIRO
People call you a coward for not giving them spectacle. I used to think courage was pulling the trigger at the right time. Maybe I was wrong.

LENNY meets him, not a sermon but a human pleading.

LENNY
Courage is staying human when everything inside you screams to stop being human. Courage is choosing a system you can haunt with truth, not your fist.

For a long beat, DE NIRO looks like heโ€™s trying to remember how to do that. The old animal in him eases; a new ache takes its place.

DE NIRO
(softer)
I donโ€™t know how to wait. Waitingโ€™s not a thing I was taught.

LENNY places a steady hand on his shoulder โ€” not a rebuke, only an offer.

LENNY
Start with honesty. Start with naming what you will not become. Use that anger to build a case that canโ€™t be ignored.

DE NIRO closes his eyes, breathes out a sound like a man dropping weights.

DE NIRO
(small, half-joking)
So I become a lawyer now?

LENNY cracks the smallest, bittersweet smile.

LENNY
Become whatever keeps you from the cheap thrill of being the executioner. Thatโ€™s harder and rarer.

Outside, sirens close in, methodical and indifferent. DE NIRO stands. He does not look like a movie vigilante; he looks like a man who might try the harder, duller thing: staying, reporting, testifying, working the long angles of truth.

DE NIRO
(grudging)
You either make me a coward or a saint, Padre. Iโ€™m still deciding which I can live with.

LENNY
Either is better than becoming what you hate.

They move toward the door together โ€” not as allies made by spectacle, but as two damaged people choosing a messy, human path forward.

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Snake Quits Smoking

Title: โ€œThe Last Cigaretteโ€
Written by Joseph C. Jukic


INT. ABANDONED CHURCH โ€“ NIGHT

Rain drums against the roof of a bombed-out cathedral. Candlelight flickers across cracked statues and bullet-ridden stained glass.

SOLID SNAKE sits in the front pew, lighting his last cigarette with shaky hands. His sneaking suit is torn, his bandana soaked. The missionโ€™s overโ€”but the war inside isnโ€™t.

He exhales a plume of smoke that drifts toward a half-broken crucifix above the altar.

SNAKE
(to himself)
They told me nicotine keeps the nerves sharp… but all it does is remind me Iโ€™m still human.

A quiet voice answers from the shadows.

JESUS (O.S.)
And being human… is not a weakness, Snake.

Snake stiffens, reaching for his SOCOM pistolโ€”then stops.

A man steps into the light, barefoot, wearing a simple robe. His hair glows faintly in the candlelight, but his presence feels heavier than any weapon.

SNAKE
Who are you supposed to be… another hallucination?

JESUS
Youโ€™ve seen many ghosts, my son. But I am not one of them.

Snake studies him, suspicion melting into an uneasy calm.

SNAKE
…Jesus Christ.

JESUS
Youโ€™ve been calling my name for years, Snakeโ€”every time you took a breath between battles.

Jesus sits beside him. Snake looks at the cigarette, then at the nail wounds on Jesusโ€™ hands.

SNAKE
Iโ€™ve seen men die for a cause, seen clones made in your image, soldiers built to kill. You think one cigarette matters in a world like that?

JESUS
A small fire can still burn down a house.

Jesus takes the cigarette from Snakeโ€™s lips, holding it gently. The ember glows red like a dying sun.

JESUS (contโ€™d)
This isnโ€™t about smoke or lungs. Itโ€™s about what you crave when you think youโ€™re alone.

Snake looks away.

SNAKE
You werenโ€™t there in the jungle. You werenโ€™t there when I watched my brothers die. I needed somethingโ€”anythingโ€”to quiet the ghosts.

JESUS
I was there, Snake.
Every time you pulled the trigger and felt remorse, I was the silence after the shot.
Every time you lit one of these, I waited for you to remember you were already free.

Jesus crushes the cigarette between his fingers. No smoke, no ashโ€”just light.

SNAKE
So what now? You gonna heal me with some miracle?

JESUS
No. Youโ€™ll heal yourself.
Youโ€™ve carried burdens for nations, but never learned to carry peace for yourself.

Snake leans forward, his breath heavy.

SNAKE
Peaceโ€ฆ doesnโ€™t come easy.

JESUS
Neither did the cross.

They sit in silence. Rain stops. The first light of dawn cuts through the broken glass, casting a rainbow on the altar.

Snake looks down at the empty pack of cigarettes and drops it into the offering box.

SNAKE
Guess thatโ€™s my confession.

JESUS
And your redemption.

Jesus rises and walks toward the exit. Before leaving, he turns back.

JESUS
The battlefieldโ€™s not out there anymore, Snake. Itโ€™s in here. (touches his chest)
Fight wisely.

Snake nods, his voice gravelly but clear.

SNAKE
…Mission accepted.


EXT. CHURCH โ€“ DAWN

Snake steps outside. No smoke, no shadow. Just breath.

He looks at the rising sun, the horizon glowing like a rebirth.

SNAKE (V.O.)
They say old soldiers never die. Maybe they just stop running from themselves.

He walks into the lightโ€”unarmed, unafraid.

FADE OUT.
THE END.

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